The avowed wow12/13/2023 In 1974, she relocated to Austin, Texas, and became part of that city's burgeoning roots music scene she later split time between Austin and Houston, and then moved to New York. Williams performed around New Orleans as a folk artist who mixed covers with traditional-styled originals. In 1969, she was ejected from high school for refusing to say the Pledge of Allegiance, and she spent a year working her way through a reading list supplied by her father before leaving home. She started performing folk songs publicly in New Orleans and during the family's sojourn in Mexico City. Immersed in a college environment, she was also exposed to '60s rock and more challenging singer/songwriters like Leonard Cohen and Joni Mitchell. Meanwhile, Lucinda discovered folk music (especially Joan Baez) through her mother and was galvanized into trying her own hand at singing and writing songs after hearing Dylan's Highway 61 Revisited. The family moved frequently, as Miller took teaching posts at colleges around Louisiana, Mississippi, Georgia, Arkansas, and even Mexico City and Santiago, Chile. Her father was Miller Williams, a literature professor and published poet who passed on not only his love of language, but also of Delta blues and Hank Williams. Lucinda Williams was born in Lake Charles, Louisiana, on January 26, 1953. And her 2021 series of Lu's Jukebox albums gave her room to share and explore her influences, musical roots, and personal favorites. With 2014's Down Where the Spirit Meets the Bone, Williams further asserted her independence by forming her own label and launching it with an expansive double set. Since then, she's released a steady stream of albums that have found her exploring her muse and her heart, including 2003's World Without Tears, and 2011's Blessed. Williams butted heads with record labels and producers while making 1992's Sweet Old World, and her determination to make the album her own way led to Car Wheels on a Gravel Road not emerging until 1998, though its critical and commercial success paved the way for her to create on her own terms. Her first two albums (1979's Ramblin' and 1980's Happy Woman Blues) presented her as a strong if not exceptional folk-blues artist, but 1988's Lucinda Williams was a striking set of original songs that won her rave reviews and announced her status as a major artist. Early in her career, critics compared Williams to Bob Dylan and Townes Van Zandt, praise that flew in the face of her originality if she was clearly informed by the blues and the giants of the singer/songwriter community, her execution put her in a class of her own that was beholden to blues, folk, country, and rock without swearing full allegiance to any of them. As a vocalist, Williams used the rough edges of her instrument to her advantage, allowing the grit to heighten the authenticity of her performance. The daughter of a well-respected poet, Williams brought a literacy and sense of detail to her music that was unpretentious but powerfully evocative and emotional, and a number of major artists covered her tunes while she was still establishing herself as a performer. One of the most celebrated singer/songwriters of her generation, Lucinda Williams is also a fiercely independent artist who had to fight for the creative freedom that allowed her to do her best work. Lucinda Williams is Back in Norwalk About this Event
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